Megan O’Grady, The New York Times THE INAUGURATION OF Nick Cave’s Facility, a new multidisciplinary art space on Chicago’s Northwest Side, has the feeling of a family affair. In April, inside the yellow-brick industrial building, the classical vocalist Brenda Wimberly and the keyboardist Justin Dillard give a special performance for a group that includes local friends, curators and…
Read MoreKOLUMN Magazine
Legacy Russell Appointed Associate Curator at Studio Museum of Harlem | The Network Journal
Aziz Gueye Adetimirin, The Network Journal Golden, chief curator at the Studio Museum of Harlem, today announced the appointment of Legacy Russell to serve as assistant curator of exhibitions at the Studio Museum. Her experience is in organizing exhibitions and events, writing for diverse audiences from popular to academic, and, most recently, serving as European…
Read More3 Films We’re Excited to See Developed From The Black List | Colorlines
Sameer Rao, Colorlines year, hundreds of Hollywood executives nominate their favorite unproduced movie screenplays to appear on The Black List. The 2018 list debuted yesterday (December 17) via a funny short, “The Last Days of TJ Scraggs”: The clip stars Paul Scheer (“The League”) as a brash entertainment agent who knocks himself unconscious in 1998…
Read MoreTracing the Real Betty Boop back to a Notorious Bootlegger’s Club in 1920s Harlem | Messy Nessy Chic
Natalie McKane, Messy Nessy Chic 1920’s in Paris may have been roaring, but over in Harlem, they were stomping. New York’s playground was not short of an underground boozer, but there was one place in particular that dominated the scene; The Cotton Club. Patron Saint of jazz, notorious bootlegging and the home of the original…
Read More(2014) Testimony of a Cleareyed Witness | The New York Times
Holland Cotter The New York Times Carrie Mae Weems, A 2002 self-portrait, taken in Santiago de Cuba, is in a show of her work at the Guggenheim Museum. Credit Collection of the artist, Jack Shainman Gallery, New York. Featured Image and class are still the great divides in American culture, and few artists have surveyed…
Read MoreDawoud Bey: 40 Years of Photos Affirming the ‘Lives of Ordinary Black People’ | The New York Times
Fayemi Shakur , The New York Times The Woman in the Light, Harlem, New York City, 1980. From the “Small Camera Work” series. Credit Dawoud Bey/University of Texas Press. Featured Image a socially conscious teenager, Dawoud Bey was intrigued by the controversy over the Metropolitan Museum of Art’s 1969 exhibition, “Harlem on My Mind: Cultural…
Read MoreKara Walker Invites You to a Public Hanging | Hyperallergic
Tom Micchelli , Hyperallergic Kara Walker, “African/American” (1998), linoleum cut on paper, 46.25 x 60.5 inches, lent by the Metropolitan Museum of Art, gift of the Peter Norton Family Foundation. Featured Image , New Jersey — “Virginia’s Lynch Mob” (1998), the centerpiece of Kara Walker: Virginia’s Lynch Mob and Other Works, organized by guest curator…
Read MoreInside Afrochella, Ghana’s Answer To Coachella | Travel Noire
Rachel George , Travel Noire A festivalgoer during the 2018 Coachella Valley Music And Arts Festival at the Empire Polo Field on April 22, 2018 in Indio, California. Featured Image performers, food, and attractions, Afrochella is not so different from California’s annual Coachella Festival, except for one very important note: it’s created by black people…
Read MorePhotographer Bruce Talamon captured black joy in the glory years of soul and funk. Now he’s getting his due | Los Angeles Times
MAKEDA EASTER , Los Angeles Times Motown company basketball game: Katherine, Janet, Michael and Randy Jackson with Billy Bray, Los Angeles 1974. Photo by Bruce W. Talamon. Featured Image , Wind & Fire founder Maurice White had one name in mind for his memoir photos: Bruce Talamon. The photographer, who has nearly 40 years experience…
Read MoreWhy giant murals of black women are popping up across London | Huck
Dominique Sisley , Huck Allison Janae Hamilton’s draws on imagery and myths of the rural South. She is an artist in residence at the Studio Museum in Harlem.Credit Heather Sten for The New York Times. Featured Image may already be familiar with the work of Neequaye ‘Dreph’ Dsane. The British Ghanaian street artist has been…
Read More