African American Art Archives - Page 2 of 6

Carrie Mae Weems, African American Art, Black Art, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

(2014) Testimony of a Cleareyed Witness | The New York Times

Holland Cotter The New York Times Carrie Mae Weems, A 2002 self-portrait, taken in Santiago de Cuba, is in a show of her work at the Guggenheim Museum. Credit Collection of the artist, Jack Shainman Gallery, New York. Featured Image and class are still the great divides in American culture, and few artists have surveyed…

Dawoud Bey, African American Lives, Black Lives, African American Communities, Black Communities, African American Art, Black Art, African American Photography, Black Photography, African American Photojournalism, Black Photojournalism, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

Dawoud Bey: 40 Years of Photos Affirming the ‘Lives of Ordinary Black People’ | The New York Times

Fayemi Shakur , The New York Times The Woman in the Light, Harlem, New York City, 1980. From the “Small Camera Work” series. Credit Dawoud Bey/University of Texas Press. Featured Image a socially conscious teenager, Dawoud Bey was intrigued by the controversy over the Metropolitan Museum of Art’s 1969 exhibition, “Harlem on My Mind: Cultural…

Kara Walker, Lynching, African American Art, Black Art, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

Kara Walker Invites You to a Public Hanging | Hyperallergic

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Tom Micchelli , Hyperallergic Kara Walker, “African/American” (1998), linoleum cut on paper, 46.25 x 60.5 inches, lent by the Metropolitan Museum of Art, gift of the Peter Norton Family Foundation. Featured Image , New Jersey — “Virginia’s Lynch Mob” (1998), the centerpiece of Kara Walker: Virginia’s Lynch Mob and Other Works, organized by guest curator…

Bruce Talamon, African American Art, African American Photography, African American Photographer, Black Art, Black Photography, Black Photographer, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

Photographer Bruce Talamon captured black joy in the glory years of soul and funk. Now he’s getting his due | Los Angeles Times

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MAKEDA EASTER , Los Angeles Times Motown company basketball game: Katherine, Janet, Michael and Randy Jackson with Billy Bray, Los Angeles 1974. Photo by Bruce W. Talamon. Featured Image , Wind & Fire founder Maurice White had one name in mind for his memoir photos: Bruce Talamon. The photographer, who has nearly 40 years experience…

Linett Kamala, Nana Yaa Sakyibea, Fungai Marima, Holly Diana May Oluwo, Leyla Hussein, Myvanwy Evans, Tracy Blackstock, African American Art, Black Art, Black Art, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

Why giant murals of black women are popping up across London | Huck

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Dominique Sisley , Huck Allison Janae Hamilton’s draws on imagery and myths of the rural South. She is an artist in residence at the Studio Museum in Harlem.Credit Heather Sten for The New York Times. Featured Image may already be familiar with the work of Neequaye ‘Dreph’ Dsane. The British Ghanaian street artist has been…

African American Art, African American Photography, African American Photographer, African American History, Black History, Thomas Allen Harris, Through A Lens Darkly, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

Thomas Allen Harris Goes Through a Lens Darkly | PBS.Org

African American Art, African American History, African American Photography, Black History, KINDR'D, KINDR'D Magazine, KOLUMN, KOLUMN Magazine Posted by KINDR.D

The first documentary to explore the role of photography in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present, Through a Lens Darkly: Black Photographers and the Emergence of a People probes the recesses of American history through images that have been suppressed, forgotten, and lost.

Dox Thrash, African American Art, Black Art, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue

The pioneering prints of Dox Thrash | CBS New

African American Art, Black Art, KINDR'D, KINDR'D Magazine, KOLUMN, KOLUMN Magazine Posted by KINDR.D

Dox Thrash revolutionized printmaking in the 1930s.

Theodore and Hazel and the Bird, African American Art, Vision Festival, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D

Jazz Notes: Vision Fest, Mickey Bass, children’s jazz book | New York Amsterdam News

African American Music, Jazz Music, KINDR'D, KINDR'D Magazine, KOLUMN, KOLUMN Magazine Posted by KINDR.D

Little Theodore and Hazel, with instruments in hand (trumpet and harp), were off to the park to play when suddenly they ran into a sad bird that needed help.

$African Art, African American Art, Black Art, African Diaspora, African Diaspora Art, Refraction: New Photography of Africa and Its Diaspora, KINDR'D Magazine, KINDR'D, KOLUMN Magazine, KOLUMN$

Photographers Connect Africa’s Diaspora Back to the Continent | Hyperallergic

African American Art, African Art, KINDR'D, KINDR'D Magazine, KOLUMN, KOLUMN Magazine Posted by KINDR.D

A group of contemporary artists re-imagine the African Diaspora through references to the landscape, masks, clothes, and adornments.

African Art, African American Art, Black Art, African Diaspora, African Diaspora Art, Frida Kahlo, KINDR'D Magazine, KINDR'D, KOLUMN Magazine, KOLUMN

Frida Kahlo and the birth of Fridolatry | The Guardian

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The grotesque exploitation of Frida Kahlo… and the artist behind the myths