KINDR'D shares the Travel, Art & Cultural Experiences of People of Color.
A superbly gifted draftsman and printmaker as well as a talented mural and easel painter, he developed a distinctive and labor-intensive approach to art making and remained committed to a representational style at a time when the art world increasingly favored abstraction.
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Gia Kourlas, The New York Times Emon Hassan for The New York Times, Featured Image raditionally, the moment you know Giselle has lost her mind is when her hair slips out of its tidy bun and frames her face like a sticky, sweaty halo. She unravels — physically, emotionally, mentally — and eventually collapses and…
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“While the women in my work celebrate different notions of beauty, I think simultaneously they are providing a confrontational barrier that challenges the clichés traditionally laid on women of color,”
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When he first told America in 1970 that “The Revolution Will Not Be Televised,” after having written it in 1968 at age 19, Gil Scott-Heron set the stage for what would become part of the musical and poetic soundtrack for revolutionaries worldwide. And he didn’t stop until four decades later.
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The illustrated profiles of men and women who’ve experienced homelessness in New York City in this series are gorgeous.
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Paying homage and celebrating black artist as cultural documentarians
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A bonafide funk, jazz and R&B star, Lakecia Benjamin is happy to share her latest Ropeadope effort, Rise Up, with the masses who love good tunes.
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Hugo McCloud creates stunning pieces from traditionally overlooked materials, while resisting the art world’s tendency to pigeonhole him as a ‘black artist.’
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Patterson, a native Jamaican, raises a litany of questions around the unidentified dead in the 2010 Tivoli Incursion in Kingston.
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Civil rights activist Rodney Barnette was under government surveillance for over 10 years. Now his daughter, Sadie, has turned his 500-page FBI file into art.
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